{"id":5736,"date":"2016-06-09T11:15:08","date_gmt":"2016-06-09T09:15:08","guid":{"rendered":"http:\/\/www.thinkingafrica.org\/V2\/?post_type=portfolio&#038;p=5736"},"modified":"2020-05-25T17:25:04","modified_gmt":"2020-05-25T15:25:04","slug":"interview-monza","status":"publish","type":"portfolio","link":"https:\/\/www.thinkingafrica.org\/V2\/project\/interview-monza\/","title":{"rendered":"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie &#8211; Monza"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/geDPmQSupwY\" width=\"740\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Kane Limam, alias Monza est un rappeur mauritanien, cr\u00e9ateur du festival Assalamalekoum. <\/strong><\/p>\n<p>Son nom de sc\u00e8ne MONZA veut dire musique originale native de la zone authentique. Et cette zone authentique c&rsquo;est l&rsquo;Afrique.<\/p>\n<p>Dans cette interview accord\u00e9e \u00e0 ThinkingAfrica en novembre 2015, il revient sur son art et sur les conditions des jeunes mauritaniens vis \u00e0 vis de la situation socio-politique et \u00e9conomique du Pays. Les voix du mouvement hip-hop s&rsquo;\u00e9l\u00e8vent contre le silence musical et la lenteur d&rsquo;un processus d\u00e9mocratique qui peine \u00e0 se mettre en place.<\/p>\n<div class=\"su-divider su-divider-style-dotted\" style=\"margin:15px 0;border-width:3px;border-color:#999999\"><\/div>\nQuelques verbatims extraits de l&rsquo;entretien.<\/p>\n<p>Sur le festival Assalamalekoum<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">Je l\u2019ai cr\u00e9\u00e9 en 2008, \u00e0 partir d\u2019un constat. En tant qu\u2019artistes, nous n\u2019avions pas de plateforme d\u2019expression et le rap mauritanien dont je suis issue \u00e9tait \u00e0 un moment d\u2019implosion (\u00e0 cause des frustrations, injustice et marginalisation des jeunes)<br \/>\nA la suite du succ\u00e8s de mon premier album en 2004, j\u2019ai obtenu une bourse pour une r\u00e9sidence d\u2019artiste en France pour un travail suppl\u00e9mentaire en vue d\u2019un nouvel album. J\u2019ai utilis\u00e9, cette somme que je consid\u00e9rais importante pour cr\u00e9er ce festival, la premi\u00e8re sc\u00e8ne pour le HipHop mauritanien. Aujourd\u2019hui, le festival en est \u00e0 sa 9\u00e8me \u00e9dition.<\/div><\/div>\n<p>Sur la coop\u00e9ration internationale<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">A l\u2019Europe, aux occidentaux, je dis : Je ne veux pas l\u2019argent, mais je veux l\u2019expertise pour moi-m\u00eame faire l\u2019argent. Sur ce principe, nous formons des jeunes. Depuis la premi\u00e8re \u00e9dition, nous avons form\u00e9 450 jeunes, cr\u00e9\u00e9 un cadre d\u2019accompagnement des artistes et obtenu 5 laur\u00e9ats.<\/div><\/div>\n<p>Sur la question identitaire en Mauritanie<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">La Mauritanie est un pays qui doit \u00e9voluer dans sa diversit\u00e9. C\u2019est l\u00e0 que r\u00e9sident sa force et la richesse de sa culture. La Mauritanie, c\u2019est plusieurs communaut\u00e9s qui doivent apprendre \u00e0 vivre ensemble. Le d\u00e9fi aujourd\u2019hui, c\u2019est d\u2019accepter que nous sommes cet ensemble l\u00e0. Nous devons nous accepter, en tant que mauritaniens. Avant de parler d\u2019unit\u00e9 nationale, on doit d\u2019abord accepter l\u2019identit\u00e9 nationale. Et l\u2019identit\u00e9 mauritanienne est plurielle.<\/div><\/div>\n<p>Sur la d\u00e9claration universelle des droits de l\u2019homme<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">Je crois plus \u00e0 la charte du Mande qu\u2019\u00e0 la d\u00e9claration universelle des droits de l\u2019homme. Parce que le Mande est en conformit\u00e9 et en accord avec nos propres traditions.<\/div><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=geDPmQSupwY\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5737\" src=\"http:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-1024x576.jpg\" alt=\"Monza\" width=\"700\" height=\"394\" srcset=\"https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-1024x576.jpg 1024w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-600x338.jpg 600w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-300x169.jpg 300w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-768x432.jpg 768w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-330x186.jpg 330w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-400x225.jpg 400w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza-800x450.jpg 800w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza.jpg 1280w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n","protected":false},"author":1,"featured_media":5737,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","class_list":["post-5736","portfolio","type-portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-cultures-identite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie - Monza - Thinking Africa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-monza\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie - Monza - Thinking Africa\" \/>\n<meta property=\"og:description\" content=\"\ufeff Kane Limam, alias Monza est un rappeur mauritanien, cr\u00e9ateur du festival Assalamalekoum. Son nom de sc\u00e8ne MONZA veut dire musique originale native de la zone authentique. Et cette zone authentique c&rsquo;est l&rsquo;Afrique. Dans cette interview accord\u00e9e \u00e0 ThinkingAfrica en novembre 2015, il revient sur son art et sur les conditions des jeunes mauritaniens vis [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-monza\/\" \/>\n<meta property=\"og:site_name\" content=\"Thinking Africa\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-25T15:25:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Monza.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/\",\"name\":\"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie - Monza - Thinking Africa\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Monza.jpg\",\"datePublished\":\"2016-06-09T09:15:08+00:00\",\"dateModified\":\"2020-05-25T15:25:04+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Monza.jpg\",\"contentUrl\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Monza.jpg\",\"width\":1280,\"height\":720},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-monza\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie &#8211; Monza\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/#website\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/\",\"name\":\"Thinking Africa\",\"description\":\"Recherche, r\u00e9flexions et ressources pour r\u00e9inventer le leadership africain\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie - Monza - Thinking Africa","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-monza\/","og_locale":"fr_FR","og_type":"article","og_title":"Mouvement HipHop, droits de l\u2019homme et d\u00e9fis identitaires en Mauritanie - Monza - Thinking Africa","og_description":"\ufeff Kane Limam, alias Monza est un rappeur mauritanien, cr\u00e9ateur du festival Assalamalekoum. 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