{"id":5777,"date":"2016-06-29T18:04:48","date_gmt":"2016-06-29T16:04:48","guid":{"rendered":"http:\/\/www.thinkingafrica.org\/V2\/?post_type=portfolio&#038;p=5777"},"modified":"2020-05-25T17:15:38","modified_gmt":"2020-05-25T15:15:38","slug":"interview-bocle","status":"publish","type":"portfolio","link":"https:\/\/www.thinkingafrica.org\/V2\/project\/interview-bocle\/","title":{"rendered":"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/skOBt0SPe9E\" width=\"740\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Jean-Fran\u00e7ois Bocl\u00e9 est un artiste plasticien martiniquais. Il vit et travaille \u00e0 Paris.<\/strong><\/p>\n<p>N\u00e9 \u00e0 Fort-de-France en Martinique, Jean-Fran\u00e7ois Bocl\u00e9 a quitt\u00e9 son pays \u00e0 l\u2019adolescence pour l\u2019exil. La notion de cr\u00e9olisation qui d\u00e9finit l\u2019essence g\u00e9ographique et intellectuelle des Antilles est au c\u0153ur de cette exploration artistique de l\u2019histoire. Les implications transnationales, interraciales et interculturelles du colonialisme forment les bases de la pratique multidisciplinaire de Bocl\u00e9. La toxicit\u00e9, lorsqu\u2019elle se rapporte explicitement aux p\u00e9rils \u00e9cologiques qui affectent la plan\u00e8te, mais \u00e9galement le racisme ambiant de l\u2019Europe coloniale, constitue la sc\u00e8ne o\u00f9 se manifestent les r\u00e9f\u00e9rences connexes de l\u2019artiste. Les souvenirs d\u2019enfance, contamin\u00e9s par un sentiment de d\u00e9placement, vont s\u2019enraciner dans un grand r\u00e9cit de l\u2019hybridation et de l\u2019identit\u00e9 post-coloniale<\/p>\n<p>Dans cet entretien accord\u00e9 \u00e0 Thinking Africa, il revient sur son travail d&rsquo;artiste et sur la question de l&rsquo;ind\u00e9pendance de la Martinique, une histoire de lutte mais qui, toutefois reste une utopie&#8230;<\/p>\n<div class=\"su-divider su-divider-style-dotted\" style=\"margin:15px 0;border-width:3px;border-color:#999999\"><\/div>\nQuelques verbatims extraits de l&rsquo;entretien.<\/p>\n<p>Sur les artistes<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">Les artistes sont des passerelles, entre ceux qui n\u2019ont vraiment rien, et ceux qui poss\u00e8dent tout. Nous sommes des instances de circulation pour ne pas qu\u2019il y ait trop de clivages et de non \u00e9coute.<\/div><\/div>\n<p>Sur l\u2019ind\u00e9pendance de la Martinique<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">Je sais que la Martinique va prendre son ind\u00e9pendance. Parce qu\u2019un peuple, un territoire, ne peut pas \u00eatre \u00e0 l\u2019envers de son histoire. La Martinique ce n\u2019est pas le territoire de l\u2019Alg\u00e9rie, ce n\u2019est pas la m\u00eame histoire non plus, mais l\u2019envie et la n\u00e9cessit\u00e9 sont les m\u00eames. L\u2019art est un lieu de pouvoir. <\/div><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=skOBt0SPe9E\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5778\" src=\"http:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-1024x576.jpg\" alt=\"Bocl\u00e9\" width=\"700\" height=\"394\" srcset=\"https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-1024x576.jpg 1024w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-600x338.jpg 600w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-300x169.jpg 300w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-768x432.jpg 768w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-330x186.jpg 330w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-400x225.jpg 400w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9-800x450.jpg 800w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9.jpg 1280w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n","protected":false},"author":1,"featured_media":5778,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","class_list":["post-5777","portfolio","type-portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-cultures-identite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9 - Thinking Africa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-bocle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9 - Thinking Africa\" \/>\n<meta property=\"og:description\" content=\"\ufeff Jean-Fran\u00e7ois Bocl\u00e9 est un artiste plasticien martiniquais. Il vit et travaille \u00e0 Paris. N\u00e9 \u00e0 Fort-de-France en Martinique, Jean-Fran\u00e7ois Bocl\u00e9 a quitt\u00e9 son pays \u00e0 l\u2019adolescence pour l\u2019exil. La notion de cr\u00e9olisation qui d\u00e9finit l\u2019essence g\u00e9ographique et intellectuelle des Antilles est au c\u0153ur de cette exploration artistique de l\u2019histoire. Les implications transnationales, interraciales et [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-bocle\/\" \/>\n<meta property=\"og:site_name\" content=\"Thinking Africa\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-25T15:15:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/06\/Bocl\u00e9.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/\",\"name\":\"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9 - Thinking Africa\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Bocl\u00e9.jpg\",\"datePublished\":\"2016-06-29T16:04:48+00:00\",\"dateModified\":\"2020-05-25T15:15:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Bocl\u00e9.jpg\",\"contentUrl\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/wp-content\\\/uploads\\\/2016\\\/06\\\/Bocl\u00e9.jpg\",\"width\":1280,\"height\":720},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/portfolio\\\/interview-bocle\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/#website\",\"url\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/\",\"name\":\"Thinking Africa\",\"description\":\"Recherche, r\u00e9flexions et ressources pour r\u00e9inventer le leadership africain\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.thinkingafrica.org\\\/V2\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9 - Thinking Africa","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-bocle\/","og_locale":"fr_FR","og_type":"article","og_title":"Art, politique et Martinique \u2013 Jean-Fran\u00e7ois Bocl\u00e9 - Thinking Africa","og_description":"\ufeff Jean-Fran\u00e7ois Bocl\u00e9 est un artiste plasticien martiniquais. 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