{"id":6041,"date":"2016-11-06T09:15:13","date_gmt":"2016-11-06T08:15:13","guid":{"rendered":"http:\/\/www.thinkingafrica.org\/V2\/?post_type=portfolio&#038;p=6041"},"modified":"2020-05-25T17:00:34","modified_gmt":"2020-05-25T15:00:34","slug":"interview-copelin","status":"publish","type":"portfolio","link":"https:\/\/www.thinkingafrica.org\/V2\/project\/interview-copelin\/","title":{"rendered":"Le Burkina, Sankara et la m\u00e9moire audiovisuelle | Christopher Copelin"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/k7_4pIidP80\" width=\"740\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Christopher Copelin est un cin\u00e9aste et producteur ind\u00e9pendant suisse. <\/strong><\/p>\n<p>Il est le r\u00e9alisateur du film documentaire <a href=\"https:\/\/www.youtube.com\/watch?v=1ZxUsITS6iQ\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Capitaine Thomas Sankara\u00a0: Il a os\u00e9 inventer l&rsquo;avenir\u00a0\u00bb<\/a>.<\/p>\n<p>Dans cet entretien avec Thinking Africa, Christopher Copelin, qui avait 21 ans en 1987, sur la gen\u00e8se de son film, le contexte de la r\u00e9volution burkinab\u00e8 dans les ann\u00e9es 1980 et l&rsquo;h\u00e9ritage de Sankara aujourd&rsquo;hui.<\/p>\n<div class=\"su-divider su-divider-style-dotted\" style=\"margin:15px 0;border-width:3px;border-color:#999999\"><\/div>\nQuelques verbatims extraits de l&rsquo;entretien.<\/p>\n<p>Sur la gen\u00e8se du film<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">J&rsquo;\u00e9tais au Burkina dans les ann\u00e9es 1980. J&rsquo;ai vu cette r\u00e9volution de mes propres yeux. D&rsquo;une certaine mani\u00e8re, je suis un t\u00e9moin de ce temps r\u00e9volutionnaire au Burkina entre 1983 et 1987. Cette r\u00e9volution a chang\u00e9 ma vie et m&rsquo;a indiqu\u00e9 la voie du cin\u00e9ma. Depuis 1991, je me suis fait la promesse de faire un film sur Sankara.<\/div><\/div>\n<p>L&rsquo;h\u00e9ritage de Sankara\u00a0:<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">Regardez autour de vous. Tout le monde parle de Sankara ou le cite. Il est entr\u00e9 dans la culture g\u00e9n\u00e9rale. Ce n&rsquo;est plus un tabou de parler de Sankara. L&rsquo;apport intellectuel de Sankara est cons\u00e9quent et important et il permet \u00e0 des jeunes g\u00e9n\u00e9rations de se r\u00e9f\u00e9rer \u00e0 ses id\u00e9es pour prendre en main leur avenir \u00e0 nouveau.<\/div><\/div>\n<p>Sur la chute de Compaor\u00e9<br \/>\n<div class=\"su-quote su-quote-style-default\"><div class=\"su-quote-inner su-u-clearfix su-u-trim\">En 2014, il n&rsquo;y a pas eu de r\u00e9volution au Burkina. Il y a eu, une insurrection. Un rapport de forces s&rsquo;est cr\u00e9e en d\u00e9faveur de Blaise Compaor\u00e9 et ce dernier a d\u00e9missionn\u00e9. Il y a r\u00e9volution, quand on d\u00e9gage le chef, on le remplace et on a un programme. Or cela n&rsquo;a pas \u00e9t\u00e9 le cas, en octobre 2014. Le but de ces mouvements de la soci\u00e9t\u00e9 civile (qui ont d\u00e9gag\u00e9 Blaise Compaor\u00e9) n&rsquo;\u00e9tait pas de prendre le pouvoir.<\/div><\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=k7_4pIidP80\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6042\" src=\"http:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-1024x576.jpg\" alt=\"christophecopelin\" width=\"700\" height=\"394\" srcset=\"https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-1024x576.jpg 1024w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-600x338.jpg 600w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-300x169.jpg 300w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-768x432.jpg 768w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-330x186.jpg 330w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-400x225.jpg 400w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin-800x450.jpg 800w, https:\/\/www.thinkingafrica.org\/V2\/wp-content\/uploads\/2016\/11\/ChristopheCopelin.jpg 1280w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n","protected":false},"author":1,"featured_media":6042,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","class_list":["post-6041","portfolio","type-portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-cultures-identite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Burkina, Sankara et la m\u00e9moire audiovisuelle | Christopher Copelin - Thinking Africa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thinkingafrica.org\/V2\/portfolio\/interview-copelin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Burkina, Sankara et la m\u00e9moire audiovisuelle | Christopher Copelin - Thinking Africa\" \/>\n<meta property=\"og:description\" content=\"\ufeff Christopher Copelin est un cin\u00e9aste et producteur ind\u00e9pendant suisse. Il est le r\u00e9alisateur du film documentaire \u00ab\u00a0Capitaine Thomas Sankara\u00a0: Il a os\u00e9 inventer l&rsquo;avenir\u00a0\u00bb. 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